This page is maintained by Joachim
Schurig. Be welcome. Click here
for my Homepage.
Below you find some information on my declick software for Linux and other Un*xes.
It compiles on Windows as well, and it should on Apple
Macintosh.
But be warned: this is a non-commercial zone. You will
not find any compiled versions for Windows and Macintosh here.
All you can get is a source file tar archive.
What it is | Why this program | Description | Additional Features | Install | Contributions | Copyright,
Warranty |
Download declick-0.6.5.tar.gz (18 KB) | Related Links |
declick is a dynamic digital declicker for audio sample files.
The main purpose of declick is the removal of digital clicks in the input material. It is intended for the automatic removal of clicks produced by scratched CDs or poorly working CD grabbers, for example when using an IDE CD-ROM. It is not designed to remove analogue clicks as from scratched LPs.
In its effect, one could describe it as a CD washer (where this is only one of the purposes you could use it for).
It should compile on Linux, Windows, Macintosh (untested) and different UN*X flavours (untested). See the Makefile for instructions.
Over the years, I was so bothered of listening to some of my old CDs that got accidentially scratched (no, have no cats, but there is still enough potential danger left to my CDs - I will not go in further details ;-).
The internal correction of my CD player didn´t manage to wipe the errors out, as they were numerous for some of the oldest pieces. And unfortunately some of the belovest. So I went to the music store to replace them with newly bought, but had to learn that some were no more in the production chain. Checking some second hand resellers was not successful, except that I learned that there are people outside still caring less for their CDs than I did in the past.
That was the moment where I began to grab my CDs into the computer and to check the samples with a wave editor. What I saw was encouraging: The awfully sounding clicks were very easy detectible to my eyes. It only took some minutes to repair some songs with few errors.
But then I started to grab a CD that partially looked like a sieve. Correction still was simple, but doing that on 548253 erroneous samples was a bit time consuming.
That was the day I started to write this program.
declick doesn´t use sophisticated fourier transformations or similar, but simply shifts a dynamic threshold detector through the sample data (you could imagine it as a kind of window in which the sample values have to fit). The window is very tight when stepping forward through the samples, but it gets adapted to the current passage of sound, it "learns". To reduce false alarms, passages with "broken" windows are scanned backward again to reverse the time axis for adaption of the filter. If the window remains too tight for the sample data, it is interpolated to fitting values. This means, the clicks are removed.
This sounds somewhat too simple for a successful correction, but reality proves it works. And it works much better than the analogue declickers I have tried, because of the nature of digital clicks.
Digital clicks are very sharp and loud in sound, even if the overall offset of a distorted sample value to its neighbour samples is not very high. To get sufficient detection with analogue declickers, you have to set their detection threshold very low. This results in any sharp sound of the input material skipped - the result doesn´t sound anymore like the original, even in segments without any click.
The main goal while developing declick was to leave the original as much untouched as possible. Segments without a click are untouched, due to the dynamic adaption of the input window. It may, from time to time, happen that a passage with high sample offsets (especially if preceeded by silence) experiences some corrections, but as these corrections only affect one or two samples, the difference to the original is not audible. This mostly will happen with digitally created sound, and very seldom.
So, if you use declick with a file containing no digital clicks, in most cases nothing gets changed. You can use it as a watchdog to prove everything is OK with your data.
The input file is expected as stereo, 16 bit signed samples, in RIFF (aka WAV) file format. If an input file does not match these specifications, processing is aborted.
declick analyzes the RIFF headers accurately, skipping over playlists, song descriptions or anything else that may be present except the sample data itself.
The sample rate (samples per second) may have any value.
Due to the intention to leave as much of the input untouched as possible, in some cases clicks are not corrected. This happens when clicks (= errors) in the input are starting with low offsets and then get higher and higher. This may happen with heavily scratched CDs. In this case, the automatic adaption of the input window opens that window wider and wider. To limit this effect, you can apply an option that tells declick to limit the window size to a fixed maximum. You should not use this feature unless you have heavily erroneous input material, and a first run of declick did not remove all clicks. The option "-v[n]" enables this feature.
To monitor operation of the declicker, you can switch "analyzer mode" on. declick then corrects or checks one stereo channel, writing analysis output to the other channel. You can use this feature if you want to find out if the click declick detects is really a click. In most cases, it is. You will be surprised how many clicks normally remain inaudible. The option "-d[1..3]" enables this feature.
Many programs working with RIFF/WAV files don´t analyze the headers. They expect the start of sample data after a fixed header offset, and the remaining length to be the samples. This is not necessarily true. declick can cut a RIFF/WAV file after the sample data to get rid of other information in the file, such as playlists, song texts and the more. The option "-c" enables this feature.
When burning a track in Track-at-Once (as for example cdrecord does), the CD writer adds two seconds of silence to each track. declick can delete silent samples at the beginning and/or end of a song helping to preserve the original duration of silence. The options "-s" and "-e" enable this feature. "-e2" deletes trailing silence up to two seconds.
I use broadcast v2.1 from Adam Williams (see http://www.geocities.com/Hollywood/3709/bcinstr.html) for display and manual correction of sample data. Broadcast uses an index file to speed up display. Creation of this index file on a new sample file takes as long as one run of declick, as all data has to be analyzed. declick can create this index file during its normal run without a speed penalty. The option "-i" enables this feature.
All operations can be done with dummy writes to the sample file (leaving the original file untouched). In conjunction with the index file creation (reflecting the result of the declicking) you can easily watch what declick would have changed when run in real mode. The option "-t" enables this feature.
1) Unpack the .tgz archive.
2) If you are not using Linux, edit the Makefile
3) Type "make all"
4) Type "make install" (this installs declick in /usr/local/bin
)
You're done.
Index file creation for broadcast follows the source code of broadcast. Thank you, Adam Williams, for the fine program.
For audio grabbing, I use Monty's cdparanoia (xiphmont@mit.edu). It has been a real help in getting the most possible out of scratched CDs. Thank you, Monty!
declick is copyright 1999 by Joachim Schurig, jschurig@zedat.fu-berlin.de
This program is free software; you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation.
This program is distributed WITHOUT ANY WARRANTY; even without the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the GNU General Public License for more details.
In this section you find some links on the issue of grabbing and burning audio, in particular for Un*x.
First of all, two audio grabbers for Linux:
Monty´s CDPARANOIA (excellent in recovering scratched CDs) and Heiko Eissfeldts CDDA2WAV (fast and more stable with bad discs, but more noise in the output).
Two links related to burning:
Jörg Schillings CDRECORD and Thomas Niederreiters XCDROAST .
Jörg Schilling also maintains a meta link page with many more useful links than only the four above.
Have fun,
Joachim
jschurig@zedat.fu-berlin.de, 26.05.1999