D.J.WOLF
MUSICAL WORKS
A List by Category
By
instrumental & vocal resources: Orchestra,
Wind Ensemble, Chamber
Music, Solo Instrument, Vocal,
Theatre, Electronics
& Installations, Other Resources,
Juvenalia &
Ephemera
By
compositional concerns: Acoustic
Phenomena, Exercises in Form,
Exercises in Style, Field
Studies, Groundwork, Minimal
Means, Neo-Serial, Spatial
Music, Through-Composed,
Various
Acoustic
Phenomena
THE
COWBELL IN HIS LIFE (2013) for viola and cowbell, for Hauke Harder on
his 50th birthday.
PROFESSOR PYTHAGORAS WOULD BE JEALOUS (2012)
for electric guitar & six sine waves, for Alvin Lucier on his
81st birthday.
AMONG THE WIRES, AN ILLUSION SPACE (2011) piano
solo, for Alvin Lucier on his 80th birthday
THE
LONG MARCH (2009) for four melodicas (prose score)
WHEN THE
PARLOUR IS COLD (2008) for mittened pianist, piano, and portable
sound system
Dr. WOLF's Complete & Correct SCHOOL of PIANO
LEVITATION (2007) three etudes for piano two hands (1. Errors,
Eliminated; 2. Knocking About; 3. Catching Butterflies), prose
score
DUO: DUA LOLO (2000) javanese gender barung slendro &
simple system clarinet in C
VISTA for trombone, electronics &
whistling teapot (1994)
MR. CAGE, HIS WAKE (1993) drum solo with
or without amplification
WAITING ROOMS (1991- ) installations
see
also PROSE ANTHOLOGY (1983-88)
Exercises
in Form
SAPPHICS
(2013) for violin.
TWO
TONES FOR SAMUEL VRIEZEN (2013) variable resource duet or solo
9’34”
FIELD & STREAM (2011)
five computers with shared mixer and sound system.
CAME
AND WENT (2009) for woodwind trio (flute, oboe, clarinet in Bb) ca
3'
A BECKETT-GRAY CODE (2009) fifth wind quintet
NEGLECTED
TOPIARY (2009) a book of music for flute, clarinet in Bb, percussion
& guitar 17'00"
DESSINS D'ENFANTS (I) (1999) for
trombone and piano
TWOITY (1995) flute & piano
PLANXTY
(MORTON FELDMAN DIED LAST WEEK AT SIXTY-ONE) piano solo
(1987)
Exercises
in Style
SOME
HANDYWORK (2009) easy pieces for piano
12 KLEINE PRÆLUDIEN
(2006) piano solo
ACROSS THE POND (2004) for piano solo, homage
to Ives & Schoenberg, in left and right versions
ETUDES
for solo microtonal instruments (1994-2004)
THE
VIEW FROM HERE (2002) for Partch-style adapted viola and cd
THE
WHITE CANOE (2000) opera seria for handpuppets, libretto by Edward
Gorey, SATB voices, 2 violins, cello, tackpiano (ca.
45:00)
TWO
PIECES (1992) for piano
32 SONATAS (1976- ) solo keyboard
Field
Studies
DECOHERENCE
for n orchestras of n players (1996-), for example: Decoherence
(3) (realisation:
2007) for nine players
THE ART OF FIELDING (String Quartet III.)
(1996)
FIELDWORK (String Quartet II.) (1996)
FIGURE &
GROUND (1994-95) violin, viola & cello
SOWING & REAPING
(1994) violin, viola, cello & piano
CROSSING THE FIELD (1992-
) for piano with any of the following: soprano saxophone, trumpet,
trombone, accordion, percussion, violin
FIELD STUDY (1991) for
violin, banjo, guitar & trombone
...finding the edge of the
field... (1)(1989) guitar solo
TRIO: THE SANDS variable ensemble
in just intonation (1985)
Groundwork
FARONELLS
GROUND (La Follia) for alto recorder and cello or viola da
gamba
PERSIMMONS, A GROUND (2008) for solo recorder
DR
ROGERS, HIS GROUND (2008) first version, second version
MR
BRENNER, HIS PAVANE (2006) solo keyboard or variable resource
ensemble
FIGURE & GROUND (1994-95) violin, viola &
cello, third and fifth movements
PASSACAGLIA for chamber orchestra
(1983)
Minimal
Means
BAGHDAD
(2003) for piano solo 22'45”
PROSE
ANTHOLOGY (1983-88)
MULTNOMAH RIFFS (1981) variable resource
ensemble (one of a number of minimal works written in the
early 80's)
Neo-serial
ISN'T
IT GREAT TO BE LIVING ON A PLANET? (2009) solo melodica
(f-f''') ca 2'20"
VARIATIONS (2008) for piano ca 2'
PIERRE
TOSSES ONE OFF (2008) miniature for piano
GNOMIC
ROUNDS for eb clarinet, bb clarinet, basset horn (Nr.
1) (2006) ; Nr. 2 (2007); Nr. 3 (2007)
IN
BREGAGLIA (1993) miniature for violin & piano
PALINODE (1977)
violin & piano
Spatial
Music
OBLIGATORY BICYCLES (2oo9) for
three cyclists
THE LONG MARCH (2009) for four off-the-shelf
melodicas
FOR DOUGLAS LEEDY (2008) for brass quartet
November
the Second (2007) for five flutes or multiple quintets of flute
10'12"
XOCHICALCO (1984) for four ensembles
PROSE
ANTHOLOGY (1983-88)
Through-Composed
DOUBLE
HOCKET (2013) for three treble and two bass instruments ca
4’30”
UNASSISTED LEVITATION FOR ANTON LUKOSZEVIEZE
(2012) for ensemble 12-24'
WE'RE NOT CROWDED (2009) ATB voices
(text: Charles Chase) ca. 1'
WRITTEN OFF AS A SCOUNDREL (&
I HAVEN'T EVEN MET THE WIFE) (2009) pf ca.
1'30"
TANGLED LULLABY (2008) pf ca 1'
AN
AUGUST EPISODE (2008) for brass quintet (2 tp, hn, tn, tb)
FOR
DOUGLAS LEEDY (2008) (2 tp, 2 tb, spatially separated)
THREE
DAYS IN NOVEMBER (2007) fourth wind quintet ca. 10'
STRING QUARTET
VI. (2007)
WINTER (STRING QUARTET V.)
(2007)
AUTUMN (STRING QUARTET IV.) (2006)
WIND QUINTET III. (2006)
AN UNEARTHING (2007)
(Virgil, Georgics) unison voices, harp, optional percussion (3')
FOR
JAS. TENNEY (2006) trio of alto, tenor, bass voices or instruments
SONATAS FOR SEPTET
(1981-82) fl,bcl,tp,tb,pno,vn,cb
FOR POLYHYMNIA (1980) trombone &
American gamelan
STRING QUARTET I.
(1978) in just intonation
CONCERTO
(1978) on the double hexany for retuned piano and winds, just
intonation
OLD BALDY (March in F) (1975-76) for band
Various
Concerns
NOVEMBER 2007: 30 Pieces for
various forces
The First of November for
(any) clarinet solo ca 1'10''; November the Second for five
flutes or multiple quintets of flute 10'12"; The Third of
November for three instruments (TrTrB, e.g. clarinet, muted trumpet,
bassoon); November the Fourth chorale for SATB voices; A Fifth
of November miniature for violin & piano 3p. ca. 40''; November
the Sixth (cheap?) imitation for fl, ob, cl, bn, hn, tp, tb, cb 6p.
ca. 2'30''; The Seventh of November ATB recorders; November the
Eighth for clavichord; The Ninth of November for string trio ca.
1'45''; November the Tenth for two voices over a ground
bass; The Eleventh of November for harp; November the Twelfth
for flute, clarinet, harp & percussion; The Thirteenth of
November for wind quintet, ca. 3'; November the Fourteenth for
soprano with flute, vibraphone, and piano (text: William Blake); The
Fifteenth of November for wind quintet; November the Sixteenth
For winds & percussion. ca 4'40"; The Seventeenth of
November for English Horn, Contrabassoon, Wagner-Tuba, Celesta &
Harmonium. ca. 1'; November the Eighteenth for piano,
microphone, oscillator, and ring modulator; The Nineteenth of
November for wind quintet; November the Twentieth for string
quartet. Ca. 2'50"; The Twenty-First of November minuet and trio
for keyboard instrument; November the Twenty-Second two voice
chorale; The Twenty-Third of November for cornet with flute,
bass clarinet, contrabass; November the Twenty-Fourth for string
trio; The Twenty-Fifth of November for string quartet. Ca. 20";
November the Twenty-Sixth for eight snare drums; The
Twenty-Seventh of November three voice canon; November the
Twenty-Eighth for three unison orchestras. Ca. 10'30''; The
Twenty-Ninth of November for piano; November the Thirtieth for
small orchestra and chorus (wordless). Ca.
3'.)
Orchestra
PASSACAGLIA for chamber orchestra
(1983)
DeSELBY or TIME FLIES IN TIMES LIKE THESE (1995-96) large
orchestra with waterDECOHERENCE for n orchestras of n players (1996)
Decoherence (3) for nine players
ANOTHER ISLAND for trumpet,
strings, percussion, and Javanese gamelan (1998)
FARTHER AFIELD
(1999) for piano and orchestra without conductor for Hildegard Kleeb,
premiered in Spain, March 1999. (Parts for the following
instruments, which may be doubled or omitted as needed: Pic/4
Fl/3 Ob/3 BbCl/ 2Bn/EbASax/BbTSax/ /EbBarSax/3 Hn/3 Tpt/2 Tbn/7 Vn/3
Va/3 Vc/Cb/Piano Solo
FOUR CONCERTI (2005-6) for chamber orchestra
(in E, C, D, Eb)
November the Twenty-Eighth (2007) for three
unison orchestras 10'30'' November the Thirtieth (2007) for small
orchestra (fl,ob,bn,cornet,sn.d.,celesta,harp, strings) and unison
chorus ca 3'
Wind
Ensemble or Band
OLD BALDY (March in F) (1975-76) for band,
also piano reduction
NOVEMBER THE SIXTEENTH (2007) for winds &
percussion
pic/fl/ob/eh/ebcl/bbcl/bcl/bn/cbn/2hn/cornet/2tp/ttbn/btbn/tb/perc
Chamber
Music
TRIO: THE SANDS variable ensemble in just intonation
(1985) premiered Real Art Ways, Hartford, 1985
SAME RIVER, NO
BICYCLE viola & prepared piano (1989- )
CAMEL, PEQUOD, SPUTNIK
(1990) for alto flute, alto saxophone & prepared piano
commissioned & premiered in Basel by "Hildegard
Kommt".
GRAND CANON (1990) for seven pianos or synthesizers
in 7-, 8-, 9-, 10-, 11-, 12-, and 13-tet. Withdrawn or still in
progress (?) .
FIELD STUDY (1991) for violin, banjo, guitar
& trombone premiered Kiel 1991.
CROSSING THE FIELD
(1992- ) for piano with any of the following: soprano saxophone,
trumpet, trombone, accordion, percussion, violin premiered in
Bludenz, Austria 1992
IN BREGALIA (1993) miniature for violin &
piano premiered in Kiel, 1995 by the Thürmchen Ensemble.
FIGURE
& GROUND (1994-95) violin, viola & cello premiered in Kiel,
1995 by the Thürmchen Ensemble, commissioned by the Federal
State of Schleswig-Holstein.
SOWING & REAPING (1994) violin,
viola, cello & piano (P: Kiel, 1995 by the Thürmchen
Ensemble.)
TWOITY (1995) flute & piano (P: Heidelberg,
Philip Vandré and Yvonne Anselmont.)
FIELDWORK
(STRING QUARTET II.) (1996) first performance in Frankfurt,
1997.
PETITE-SYMPHONIE Nr. 1 for Glockenspiel,
Trombone, Piano & Contrabass, withdrawn
TRIO DEGUNG (1996)
alto flute, viola & harp, withdrawn
THE ART OF FIELDING
(STRING QUARTET III.) (1996), score in preparation
AFAR AFIELD
(1997- ) for baryton trio (baryton, viola, cello), score in
preparation
DESSINS D'ENFANTS (I) (1999) for trombone and piano
for Hildegard Kleeb and Roland Dahinden, premiered in Kiel, October
1999.
DUO: DUA LOLO (2000) javanese gender barung
slendro & simple system clarinet in C (premiered 26.2.00 in
Frankfurt by D. Franque and D. Wolf.)
GNOMIC ROUND (Nr. 1) (2006)
eb clarinet, bb clarinet, basset horn (<1')
AUTUMN
(STRING QUARTET IV.) (2006)
WIND QUINTET III. (2006) score
in preparation
WINTER (STRING QUARTET V.) (2007) score in
preparation
STRING QUARTET VI. (2007) score in preparation
GNOMIC
ROUND Nr. 2 (2007) eb clarinet, bb clarinet, basset horn
GNOMIC
ROUND Nr. 3 (2007) eb clarinet, bb clarinet, basset horn
November
the Second (2007) out-of-doors music for five flutes or multiple
quintets of flutes 10'12''
The Third of November (2007) for
three instruments (2tr, 1 bs, i.e. clarinet, muted trumpet, bassoon)
ca. 2'10''
A Fifth of November (2007) for violin and pianoforte
ca. 40''
November the Sixth (2007) cheap imitation for fl,
ob, cl(bb), bn, tp(c), hn(f), tbn, cb ca. 3'30''
The Seventh
of November (2007) for renaissance recorder trio (a,t,b) ca.
2'
November the Eighth (2007) for clavichord 2'20''
The
Ninth of November (2007) for string trio 1'45''
November
the Tenth (2007) for three or more instruments 2'30''
November
the Twelfth (2007) for fl, cl, harp, perc ca. 1'30''
The
Thirteenth of November (2007) for wind quintet ca. 3'00''
November
the Fourteenth (2007) for soprano, with fl, vb, pf (text:
Blake) ca. 1'40''
The Fifteenth of November (2007) for wind
quintet ca. 1'15''
The Seventeenth of November (2007) for english
horn, contrabassoon, Wagner-tuba, celesta, and harmonium ca. 1'
The
Nineteenth of November (2007) for wind quintet ca 2'15''
November
the Twentieth (2007) for string quartet ca 2'50
The Twenty-Third of November (2007) for cornet with flute, bass
clarinet, contrabass ca. 1'30''
November the Twenty-Fourth
(2007) for string trio ca. 1'00''
November the Twenty-Sixth
(2007) for eight snare drums
The Twenty-Seventh of November
(2007) three voice canon
AN AUGUST EPISODE (2008) for brass
quintet (2 tp, hn, tn, tb)
THE LONG MARCH (2009) for
four melodicas (prose score)
NEGLECTED TOPIARY (2009) a book
of music for flute, clarinet in Bb, percussion & guitar 17'00"
A
BECKETT-GRAY CODE (2009) fifth wind quintet
CAME
AND WENT (2009) for woodwind trio (flute, oboe, clarinet in Bb) ca
3'
THE COWBELL IN HIS LIFE (2013) for viola and cowbell, for Hauke
Harder on his 50th birthday.
TWO TONES FOR SAMUEL VRIEZEN (2013)
variable resource duet or solo 9’34”
DOUBLE HOCKET
(2013) for three treble and two bass instruments ca 4’30”
Solo
Instrument
PLANXTY
(MORTON FELDMAN DIED LAST WEEK AT SIXTY-ONE) piano solo (1987)
premiered 1991, Kiel, by Brigitta Romano
...finding the edge
of the field... (1)(1989) guitar solo premiered 1998, Switzerland, by
Seth Josel
MR. CAGE, HIS WAKE (1993) drum solo with or without
amplification premiered in Köln, 1993, by Tobias Liebezeit.
TWO
PIECES (1992) for piano
VISTA for trombone, electronics &
whistling teapot (1994) for Roland Dahinden withdrawn
THE VIEW
FROM HERE (2002) for Partch-style adapted viola and cd (P: Berlin,
Marc Sabat)
ETUDES for solo microtonal instruments
(1994-2004), including: YET ANOTHER (OCTAL) FOR GORDON MUMMA (1994)
harpsichord in 8-tone equal temperament NOCTURNE (2004)
keyboard in 9-tone equal temperament ORTOLANS ENCORE UNE FOIS?
(2002-4) keyboard in 11-equal temperament CHANGE OF REGIME (Prelude,
Invention, & Air to a Ground in 13tet)(2004) keyboard in 13tet
IVOR DARREG IN EAGLE ROCK (2004) keyboard in 14tet, AMERICAN TREES &
HOW TO CLIMB THEM: AN ACADEMIC PIECE keyboard in 15tet SAPPHO, DE
SELBY & THE OTHER PRE-SOCRATICS (2004) keyboard in 16-tet PRELUDE
(2004) keyboard in 17-tone equal temperament DAUD SALAAM (2004)
keyboard in 18-tet equal temperament PASSACAGLIAS & MINUETS
(2003) for three instruments in 19-tone equal temperament RULE 42
(2004) keyboard in 21-tone equal temperament SUITE (2004) keyboard in
22-tone equal temperament SCACIATTA & FRUGUE (2004) keyboard in
23-tone equal temperament
BAGHDAD
(2003) for piano solo, 22'45", a protest piece
ACROSS THE
POND (2004) for piano solo, homage to Ives & Schoenberg, in left
and right versions (P, left version: Bratislava: Daan Vandewalle)
32
SONATAS (1976-2004) solo keyboard (including Picking Up The Pieces
(Sonata No. 14) for prepared piano)
...certain country dances...
(series 1 through 7)(2005-2006) for solo keyboard
12 KLEINE
PRÆLUDIEN (2006) piano solo
MR BRENNER, HIS PAVANE
(2006) solo keyboard or variable resource ensemble (5') PDF
Dr.
WOLF's Complete & Correct SCHOOL of PIANO LEVITATION (2007) three
etudes for piano two hands (1. Errors, Eliminated; 2. Knocking About;
3. Catching Butterflies), prose score
The First of November (2007)
for (any) solo clarinet
The Eleventh of November (2007) for
harp 2'30''
November the Eighteenth (2007) for piano, microphone,
oscillator, & ring modulator
The Twenty-First of
November (2007) for keyboard (Minuet and Trio for Emma)
November
the Twenty-Second (2007) chorale for keyboard or other instruments
The Twenty-Ninth of November (2007) for piano
WHEN THE
PARLOUR IS COLD (2008) for mittened pianist, piano, and portable
sound system
Dr Rodgers, His Ground (2008) first version,
second version
PERSIMMONS, A Ground (2008) for solo recorder
OCCASIONALS (2008- ) smaller pieces for solo piano,
including: PIERRE TOSSES ONE OFF (2008), TANGLED LULLABY
(2008) ; WRITTEN OFF AS A SCOUNDREL (& I HAVEN'T EVEN
MET THE WIFE) (2009) ; VARIATIONS (2008) for solo piano
SOME
HANDYWORK (2009) easy pieces for piano for Walter Zimmermann's
60th birthday
ISN'T IT GREAT TO BE LIVING ON A PLANET?
(2009) solo melodica (f-f''') ca 2:20 "
AMONG THE WIRES, AN
ILLUSION SPACE (2011) piano solo, for Alvin Lucier on his 80th
birthday.
100,000,000,000,000
PIECES FOR CLARINET (2011-12)
PROFESSOR PYTHAGORAS WOULD BE
JEALOUS (2012) for electric guitar and six sine waves, for Alvin
Lucier on his 81st
birthday,
10-12'
SONATA
(2013) for oboe alone.
SAPPHICS (2013) for violin.
BROUT MET
FLILLEKEN (2013) solo flute (3:25) with optional Double (also 3:25) which may be performed separately on the same program, the flutist possibly hidden from view,
Vocal
Music
THREE SONGS (1995-96) for twelve voices, in resonant
spaces or with electronic enhancement (Cummings/Broch/Pynchon)
AN
UNEARTHING (2007) (Virgil, Georgics) unison voices, harp, optional
percussion (3')
WE'RE NOT CROWDED (2009) ATB voices, text:
Charles Chase ca 1'
TWO SONGS (AFTERNOON IN THE CANYON, END
OF AMBITION) (2011) for baritone and piano, lyrics: George
Hitchcock.
Music
for Theatre
AT TWILIGHT music for a dance by Susan Matheke
(1986) percussion, tenor, english horn, violin, and magnetic tape
THE
WHITE CANOE (2000) opera seria for handpuppets, libretto by Edward
Gorey, SATB voices, 2 violins, cello, tackpiano
ORPHEUS music
theatre, after Virgil, Georgics,
in progress, for voices, harp, and percussion (see also AN
UNEARTHING, below)(2006- ) including: (1) Dulcis Coniunx (SSA
voices) (2) Alta ostia Ditis (Bass and Harp) (3)
FOR JAS. TENNEY (2006) trio of alto, tenor, bass voices or
instruments
Electronic
Music & Installations
PEQUOD (1987) imaginary orchestra
(synthesized) in just intonation
WAITING ROOMS (1991- )
installations Frankfurt, Kiel, Zug Score: Four Tunings For
Sound Environments
SIX SIMPLE MACHINES (2010) six pieces for
melody instrument and live electronics (programmed in pd).
SOUS
LES PAVÉS LA PLAGE! (2010) for flute, glockenspiel, and piano,
optional version with oscillator and ring modulation.
FIELD
& STREAM (2011) five computers with shared mixer and sound
system
Other
PROSE
ANTHOLOGY 1983-88) Including: DISTINCTIONS for small ensemble /
CONNECTION (After William Billings) for ensemble / SCHOOL OF
LEVITATION for any bowed instrument / ELECTRONIC PIECES: 1. All the
wrong places, 2. Funhouse, or She Came Back, 3. One Last Wave / LARGE
ENSEMBLE / BACKYARD CONSPIRACIES / SERENADE / SATISFACTORY
RENOVATIONS OF FAMILAR CONTENTS / SARDINES
Juvenalia,
emphemera, occasional, & pedagogical pieces: a selection
SIX
SHORT INVENTIONS (1976) alto recorder
MIRRORS (1976) recorder,
celesta, guitar
HARMONIC MAZE (1976) ensemble in just
intonation
SONGS (1976) voice and hawai'ian guitar in just
intonation
DAWN SONG (1976) for voices and prepared piano
THREE
MELODIES (1977) alto recorder
SONATA (1977) tenor
saxophone
PALINODE (1977) violin and piano PDF (86KB)
STRING
QUARTET I. (1978) in just intonation
CONCERTO (1978) on the
double hexany for retuned piano and winds, just intonation
3
WOODWIND QUINTETS (1980, 81, 86)
FOR POLYHYMNIA (1980) trombone &
American gamelan commissioned by Lou Harrison & William Colvig,
premiered, Cabrillo Music Festival 1980, Robert Szabo,
trombone.
MAJOR OPERA (1980) variable resource electroacoustic
music theatre
MULTNOMAH RIFFS (1981) variable resource
ensemble
SONATAS FOR SEPTET (1981-82)
fl,bcl,tp,tb,pno,vn,cb
BAGATELLES (1981- ongoing) for keyboard
instruments
TUBULONG PIECES (1981-82) metallophone in just
intonation
EIGHTSPACE (1981) electronic music
THE ORIGINAL
SOUR MASH: exquisite corpses (1982) for variable resource ensemble,
co-composed with Steed Cowart, Jonathan E. Segel
DYNING &
DANCING MUSIC (1982) tape
PERSEPHONE (1982) tape
HOMMAGE TO
PROPERTIUS (1982-3) cantata, for baritone, oboe, alto trombone,
electric guitar, viola, contrabass, after N. O. Brown
FOXTROT
(1983) music theatre for two pianos, tape, television, dancers, at
least one of whom is restrained
RECHERCHE-SCHOOL OF LEVITATION
(1983) crosscut saw and sine wave emsemble
XOCHICALCO (1984) for
four ensembles, later combined as one orchestra
ALSVALE (ENSVALE)
(1984) two flutes, two accordions, horn and trombone
HARMONIUM
WITH MOONWALK (1984) electroacoustic music theatre
OCTOBER
ARRANGEMENTS (1984) cl, hn, vn, va, cb
7 ETUDES (1984-5) dance
accompaniment for solo musician (crosscut saw, flügelhorn,
trombone & umbrellas) with tape
CARDAMOM PIECES (1984) for
guitar
AMIGA MIA (1985) for flute, bb clarinet, female voice and
viola
HORN TRIO (1985) violin, natural horn, fortepiano
CANONS
& CROSSES II (Goldstein Variations)(1985) two violins or other
instruments.
CANONS & CROSSES I (1985-88) electronic music for
a dance by Susan Matheke.
...certain country dances...
(1988) two pianos, retuned withdrawn
HYMN & FUGUING TUNE (for
Karl Kohn on his retirement) (1994).
Incidental Music for Kasperle
Plays (1999-2003) synthesized music for childrens' puppet theatre,
partially revised as PASSACAGLIAS & MINUETS (above)
FOR SEAMUS
(2001) piano pieces for young musicians
PLEASURE GARDEN APPENDED
(2002) solo g alto recorder
SONGS for The Good Woman of Szechuan
(Brecht) (2003) solo voice or chorus, piano, optional percussion
FOR
JAS. TENNEY (2006) trio of alto, tenor, bass voices or
instruments
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