SOLO 4/1/93
The bass sounds full and rounded and the peaks are absolutely recognizable. It is surprising how interference-free a well constructed tube microphone is (literal translation: how little disturbing noises there are). A microphone (almost) everybody can afford.
KEYS 12/1/93
With the CR76 highlights can be put in, chorus-, lead vocal and saxophone recordings get the accurate bass. Colleagues who used the microphone for piano recordings praised its freshness and liveliness. Apparently, the sound is brilliant and stereophonic, as if someone had pulled away the curtain. Absolutely exemplary !
PRODUCTION PARTNER 5/1/94
The playback (or fidelity of reproduction) and flexibility is convincing. This is what I call service friendly !
MIX 9/1/94
Already it's being used in a wide range of situations. From recording rock to acoustic jazz. Get out and check this mic out - it offers spectacular value for money.
STUDIO SOUND 4/1/95
A super intimate sound with bass. The TB94 is a tube mic that you can set and forget, it is extremely well behaved. You are getting a ridiculously good value for money.
KEYS 1/1/96
The fact that there are so many accessories should be set as a precedent. The sound impression is pleasantly soft and very well suited for voices.
SOLO 4/1/96
The B.P.M. microphones belong in a class of high quality studio microphones. The other manufacturers could take a leaf out of this book! These microphones give the impression of being noble and robust. The CR95 offers a very good tone neutral reproduction and conveys freshness and liveliness. The inherent noise is pleasantly low.
TOM TÄGER (Soundstudio by the river Ruhr)
With its freshness and liveliness this mic outshines everything else.
RECORDING MAGAZINE (USA) 1998
This trio of BPM Studiotechnik condensers performed well in a variety of situations and produced excellent tracks. Both the CR-95 and TB-95 are good values for general-purpose microphones with a smooth, full sound. The CR-10 turned in an impressive performance for its price. Highly recommended.